What is the texture of Alleluia?
The texture is monophonic (even though several singers are participating, there is only one melody), there is no consistent pulse, and the melody is based on a church mode (Dorian to be specific).
What is the texture of Alleluia O Virga Mediatrix?
28 Cards in this Set
| Hildegard of Bingen: Alleluia, O virga Mediatrix Medody | Unaccompanied, conjunct line with some expressive leaps and melismas |
|---|---|
| Hildegard of Bingen: Alleluia, O virga Mediatrix Texture | Monophonic |
| Hildegard of Bingen: Alleluia, O virga Mediatrix Form | 3-part structure performed responsorially |
What best describes the relationship between the voices the texture in this excerpt?
What best describes the relationship among the four voices (the texture) in this excerpt? The highest voice sings the melody and the other three harmonize with it, with all voices changing syllables at the same time.
What best describes the relationship among the voices in Gaude Maria Virgo?
Terms in this set (10) The texture of Gaude Maria virgo is – polyphony alternating with – chant. What best describes the relationship among the voices in Gaude Maria virgo? In organum, the lower voice moves slowly, and its pitches are from a chant. The composer adds the upper voices.
What best describes the text setting when the other voices enter?
What best describes the text setting when the other voices enter? The second time all six voices sing together is at “Filius Patris” (“Son of the Father”), the last line of text in the first section. When “Jesu Christe” returns, it is sung by all six voices. The line “cum Sancto Spiritu” begins with three voices.
What genre is Gaude Maria Virgo?
Music Exam 1
| Question | Answer |
|---|---|
| Alleluia, O virga meditarix: language? Time period? | Latin / Middle Ages |
| Gaude Maria virgo: composer? | In the style of Perotin |
| Gaude Maria virgo: genre? | Organum triplum |
| Gaude Maria virgo: language? Time Period? | Latin / Middle Ages |
What is the texture of Gloria?
Texture: The main texture is homophony. There are moments of slight rhythmic differences at places where a suspension occurs. Timbre: SATB with orchestra accompaniment. Many scores have very adequate piano reductions that can be used if an orchestra is not available for performance.
When studying vocal music it is important to look at the text first?
When studying vocal music, it is important to look at the text first. The text often determines the musical form of a piece, and its meaning may guide composers’ decisions. After the opening phrase is sung by one person, other voices enter and sing together.
Which of the following best describes the Council of Trent stance on sacred music?
Which of the following best describes the Council of Trent’s stance on sacred music? The text should be easily understood and the music beautiful, but not too complex or secular. They provided an important model for the polyphonic music subsequent generations of church composers. You just studied 10 terms!
What are the characteristic of Gloria by Palestrina?
The music has a haunting ring to it; is a polyphony. Contains 6 voice parts: soprano, alto, tenor (2), baritone, and bass. Contains very few dissonant parts; is more smooth, consonant, and has conjunct motion.
What does Palestrina mean?
someone who composes music as a profession.
What is the correct order of the 5 parts of the ordinary mass?
The Ordinary consists of five parts: Kyrie (Lord have mercy upon us….), Gloria (Glory be to thee….), Credo (I believe in God the Father….), Sanctus (Holy, Holy, Holy….) and Agnus Dei (O Lamb of God…). The words of the mass that are not from the Ordinary are called the Proper.
How did Palestrina saved polyphony?
Known particularly for his masses and motets, he became a model for later composers when writing sacred music. Legend says that Palestrina saved polyphony (music with more than one voice part of equal importance) from condemnation by the church council when he composed his Pope Marcellus Mass.
Why was Palestrina important to church history?
Giovanni Pierluigi da Palestrina was an Italian composer of the Renaissance. He was the most famous 16th century representative of the Roman School of musical composition. Palestrina had a vast influence on the development of Roman Catholic church music, and his work can be seen as a summation of Renaissance polyphony.20
What nationality was Palestrina?
Italian
What did Palestrina’s Pope Marcellus Mass do for polyphony?
Although Palestrina’s mass makes much use of polyphony—setting several different musical layers against one another simultaneously—he shows a clear preference for “imitative” polyphony, in which the basic melodies and, thus, their words are stated clearly in a single voice before the other layers are gradually added.29
Who composed the Mass?
The first complete mass we know of whose composer can be identified was the Messe de Nostre Dame (Mass of Our Lady) by Guillaume de Machaut in the 14th century.
Is part of the two section of the Pope Marcellus Mass?
Answer: The Lutheran mass consists of the first two elements of the Roman mass, the Kyrie and the Gloria.6
What made madrigals special?
A madrigal is a secular vocal genre of music that was very popular during the Renaissance Era (1450 – 1600 CE). The lyrics were based on poetry, and they were usually performed a cappella and in polyphonic texture. Madrigals are often credited with popularizing the musical technique of word painting.
Are the Madrigals still sung today?
Nowadays, madrigals are often sung by high school or college madrigal choirs often as an after-dinner entertainment. Sometimes the singers wear Renaissance costumes.
What does fa la la mean in madrigals?
In madrigals, fa la la la las were code for something dirty that wasn’t polite to say out loud. Normally it involves the young hero and heroine and a secluded meadow with tall grass.27
Who created madrigals?
Claudio Monteverdi
Where did madrigals come from?
northern Italy
Is a madrigal sacred?
A madrigale spirituale (Italian; pl. madrigali spirituali) is a madrigal, or madrigal-like piece of music, with a sacred rather than a secular text. On occasion, existing madrigals were merely fitted with a religious text, usually in Latin, without any other change (such adaptations are called “contrafacta”).
Is a motet sacred?
After about 1600 the term motet came to indicate any composition setting a serious nonliturgical but often sacred text. In the late 16th century, Venetian composers such as Giovanni Gabrieli wrote motets for multiple choirs and contrasting instruments.