What are the two tools of imagination?
Their imaginations are shaped by tools that include story and fantasy, mental imagery and metaphor, a sense of mystery and humour.
What kinds of activities do audience members engage in?
of practice in the arts sector referred to as “audience engagement” – a somewhat bewil- dering array of programs and activities such as lectures, open rehearsals, docent tours and online forums.
How much did it cost to watch a play at the Globe?
Admission to the indoor theatres started at 6 pence. One penny was only the price of a loaf of bread. Compare that to today’s prices. The low cost was one reason the theatre was so popular.
What were the people called who paid a penny to stand in front of the stage to see Shakespeare’s plays?
The lower middle class paid a penny for admittance to the yard (like the yard outside a school building), where they stood on the ground, with the stage more or less at eye level—these spectators were called groundlings. The rich paid two pennies for entrance to the galleries, covered seating at the sides.
How much did it cost to sit in the gallery in the Globe Theatre?
Or for a penny or so more, you could sit more comfortably on a cushion. The most expensive seats would have been in the ‘Lord’s Rooms’. Admission to the indoor theatres started at 6 pence. One penny was only the price of a loaf of bread.
How long did it take to rebuild the Globe?
In 1970 Wanamaker set up the Shakespeare’s Globe Trust to actively pursue his long-term dream of building a reconstruction of the original Globe theatre. It took 23 years to find land, get planning permission and raise the money for the work. He died in 1993, while the building was still under construction.
What there was behind the stage of the Globe Theatre?
Rising from behind the stages was the tiring-house, the three story section of the playhouse that contained the dressing rooms, the prop room, the musician’s gallery, and connecting passageways.
How did the Globe Theater burn down the second time?
Nevertheless, the Globe attracted many of society’s elites to sit in its balconies. During a production of Richard III on June 29, 1613, the firing of a cannon ignited the straw roof, setting the Globe ablaze. The troupe rebuilt the theater across the Thames, completing it a year after the original burned down.