What is the main melody called in a fugue?
Fugue, in music, a compositional procedure characterized by the systematic imitation of a principal theme (called the subject) in simultaneously sounding melodic lines (counterpoint). The term fugue may also be used to describe a work or part of a work.
What does the term crescendo reference?
the volume of music. What term does “crescendo” reference to. dynamics that gradually get louder.
What term do we have for music that uses the sounds of the instruments to recreate an image scene or event in the listener’s mind?
program music
What do we call a work for orchestra and soloist where the orchestra and soloist work together to create a performance but trade back and forth who gets the spotlight?
What is a concerto? A work for orchestra and soloist. The orchestra and soloist work together to create a performance but trade back and forth who gets the spotlight (though the soloist is featured more so than the orchestra). In a concerto, there is a section called the cadenza.
What is a cantata MUS 121?
What is a cantata? A. A stage-play that involves music (mostly singing) and also uses stage scenery, costumes, and acting. B. An often dramatic musical work for solo voice or choir with instrumental accompaniment (like a small orchestra).
What is a trouser or pants role MUS 121?
True or False: Mozart’s Le nozze di Figaro (The Marriage of Figaro) is a comic opera. True. What is a trouser or pants role? An operatic role in which a grown woman plays the character of a pre-pubescent boy.
What is an opera song called?
Aria
What is a baroque oratorio?
oratorio. is a large scale dramatic genre originating in the baroque, based on a text of religious or serious characters, performed by solo voices, chorus, and orchestra, similar to opera but without costumes, scenery or acting. french overture.
Is oratorio a baroque?
In the late baroque oratorios increasingly became “sacred opera”. In Germany the middle baroque oratorios moved from the early-baroque Historia style Christmas and Resurrection settings of Heinrich Schütz, to the Passions of J. S. Bach, oratorio-passions such as Der Tod Jesu set by Telemann and Carl Heinrich Graun.
What historical period is Madrigal?
Madrigal, form of vocal chamber music that originated in northern Italy during the 14th century, declined and all but disappeared in the 15th, flourished anew in the 16th, and ultimately achieved international status in the late 16th and early 17th centuries.
What are the four characteristics of madrigal music?
Most madrigals were sung a cappella, meaning without instrumental accompaniment, and used polyphonic texture, in which each singer has a separate musical line. A major feature of madrigals was word painting, a technique also known as a madrigalism, used by composers to make the music match and reflect the lyrics.
What is the similarities between mass and Madrigal?
Madrigal is form of secular music or non-religious music while mass is of sacred musical or religious. They both may be sung in acapella, polyphonic, on the Golden Age.
What is the characteristics of mass?
Mass is both a property of a physical body and a measure of its resistance to acceleration (a change in its state of motion) when a net force is applied. An object’s mass also determines the strength of its gravitational attraction to other bodies. The basic SI unit of mass is the kilogram (kg).
What is the difference between Gregorian chant from Madrigal?
Gregorian chant is monophonic rather than polyphonic (one part vs. several parts) and is sacred in theme. Renaissance madrigals are secular (non-religious) and have multiple voices. Both are primarily a capella, though madrigals sometimes have one or more parts played on instruments.
How many voices are in a madrigal?
The polyphonic madrigal is unaccompanied, and the number of voices varies from two to eight, but usually features three to six voices, whilst the metre of the madrigal varied between two or three tercets, followed by one or two couplets.
What is the minimum number of voices in a madrigal song?
From Wikipedia, the free encyclopedia and early Baroque (1600–1750) eras. The polyphonic madrigal is unaccompanied, and the number of voices varies from two to eight, but usually features three to six voices, whilst the metre of the madrigal varied between two or three tercets, followed by one or two couplets.
Why are madrigals through composed?
Why are madrigals through-composed? Madrigal poetry was artful and composers tried to match their music with the tone and text of the poem to communicate the poem’s ideas, images, and emotions. Lutherans, Calvinists, and Counter-Reformation leaders espoused different attitudes toward the role of music in worship.