Which of the following statements about art nouveau and art deco is most accurate?
Art nouveau features decorative styles that remain popular to this day. Art deco was prominently featured in architecture – statements about art noveau and art deco is most accurate.
What’s the difference between the art nouveau style from before the war and the art deco style from after?
“streamlined.” Art Nouveau is the decorative one. Art Deco is sleeker. The Explanation: Both the Art Nouveau and Art Deco movements emerged as reactions to major world events; the Industrial Revolution and World War I, respectively. Art Deco, on the other hand, emerged after World War I.
What is the big difference between Art Nouveau and Art Deco?
Art nouveau is much more decorative, flowing, and floral. Art Deco is sharp and based on straight lines and corners. It’s about perfect forms, circles and angles. Geometry plays a big part in Art Deco works made during the 1920’s and 1930’s.
Who influenced Art Deco?
Among the formative influences on Art Deco were Art Nouveau, the Bauhaus, Cubism, and Serge Diaghilev’s Ballets Russes. Decorative ideas came from American Indian, Egyptian, and early classical sources as well as from nature.
What defines the art deco style?
Art Deco works are symmetrical, geometric, streamlined, often simple, and pleasing to the eye. This style is in contrast to avant-garde art of the period, which challenged everyday viewers to find meaning and beauty in what were often unapologetically anti-traditional images and forms
Is Cubism an Art Deco?
This new style used geometric shapes and angular patterns to formulate abstract landscapes, portraits and everyday objects. The cubism art movement continued to captivate well into the Art Deco period and inspired some of the geometric and abstract designs and architecture of the 1920s and 30s
Is Picasso Art Deco?
His influence on Art Deco style is difficult to quantify, but elements of the Cubist’s art – the abstract, the angular, the two dimensional became staples of Art Deco design. By the 1930s he was the most respected artist of the age, retrospectives of his work being held in Paris, Barcelona and Switzerland.