Does Sylvia make the right decision in not telling the young man where the white heron nests Why or why not?
She does not tell the young man where the heron is in order to save the heron. Her conflict is found in trying to please the world (the man and her grandmother), or to save the bird. She chooses to protect the heron.
What decision does Sylvia have to make at the end of a white heron?
Let’s set things up: A young man has arrived in the forest and told Sylvia that he will pay her ten dollars if she can lead him to a rare white heron. Although she’s torn, Sylvia decides to find the heron for the hunter.
Did Sylvia make the right decision?
Ultimately, Sylvia makes the right choice based on her beliefs—to do otherwise would have been hypocritical. Although Sylvia chooses to protect the heron, the story seems to indicate that Mrs. Tilley would have made a different decision if it were up to her.
What does Sylvia do at the end of the story?
At the end of the story, she even shows anger toward her friend Sugar for prolonging the lesson by asking Miss Moore questions. However, as Sugar and Sylvia race home, Sylvia states that she is going home to think over the day. As she says, “ain’t nobody gonna beat me at nothing.”
Why doesn’t Sylvia go with sugar to spend the money at the end of the story?
Sylvia doesn’t run off to the store with Sugar because her mind’s still processing the events of this unusual day. She has learned a lot from Miss Moore’s lesson on the value of money but still feels the need to reflect more deeply one some of the things that she’s seen on her excursion to an upscale toy store.
What is the moral of the White Heron?
Conservation versus Greed At the heart of “A White Heron” lies the conflict between conserving nature and exploiting it for financial gain. The stranger wants to shoot, kill, and stuff the elusive white heron for his personal collection, and he offers Sylvia $10 to help him find it.
What is the main conflict of a white heron?
The main internal conflict is the conflict Sylvia feels about telling the whereabouts of the white heron. Sylvia’s head tells her to give up the birds location and earn both money and attention from the hunter, yet her heart is telling her to protect the bird.
What point of view is the White Heron told from?
Third Person
How does nature in a white heron interact with the main character of the story?
The most important interaction that a character has with nature in the story is when Sylvia climbs the pine tree to look for the heron’s nest. She stood trembling and tired but wholly triumphant, high in the tree-top.
What is the Hunter’s main goal in the story?
The hunter (whose name is never revealed) is an ornithologist from town who comes to the countryside with the aim of shooting and stuffing a rare white heron for his collection of birds. He stumbles upon Sylvia in the woods and stays a couple of nights in her grandmother Mrs.
How did Sylvia find a white heron s nest?
Alone at night, she climbs a tree to locate the heron’s nest. She spots the heron but while she views her natural environment from an aerial perspective, she identifies with the bird and feels a deep spiritual connection to it.
Who is the antagonist of white heron?
While the hunter isn’t a traditional antagonist, he’s representative of everything that’s opposed to Sylvia’s tree-hugging lifestyle—specifically, that while Sylvia lives at one with nature, the hunter wants nature under his control.
How is a white heron an example of regionalism?
“A White Heron,” first published in 1886, is a good example of regionalism because Sarah Orne Jewett depicts life in Maine through discussion of the landscape, dialect and animals of the area.